Laocoon and his sons and the aesthetics of pain

Michael Lahanas

Το σύμπλεγμα του Λαοκόωντα και η αισθητική του άλγους

Hellenistische Kunst. Der Laokoon

Do you believe the enemy have sailed away? Or think that any Grecian gifts are free of craft? Is this the way Ulysses acts? Either Achaeans hide, shut in this wood, or else this is an engine built against our walls... I fear the Greeks, even when they bring gifts, Laocoon from Virgil The Aeneid

Part 1

A Laoccon version where the right hand ist higher than the original not reconstructed version (see image of the original below)

It was 13 January 1506 when Michelangelo and his friend Guiliano was called by the Pope Julius II to see a sculpture. It was the sculpture of Laocoon. Michelangelo called it a "portento d'arte" and his friend Guiliano said excited "this is Laoocon as described by Pliny the elder!"

The Laocoon Group, Laocoon or Laocoön or Laokoon (Λαοκόων) (a brother of Anchises a priest of Apollo) sculpture by Agesander (or Hagesander), Athanodorus and Polydoros of Rhodes a marble copy of a bronze Hellenistic sculpture at 140 BC. Vatican Museum Rome (one of two versions, the other without the restorations of the missing parts).Now it is considered as the work of the three sculptors

1)Athanadoros son of Hagesandros,

2) Hagesandros son of Paionios

3) Polydoros son of Polydoros of Rhodes

Pliny describes the work as that of Hagesander, Polydoros and Athanadoros the Rhodians probably because there was another Athanadoros of Hagesander in Rhodes 42 BC whereas the )


The original not reconstructed version from behind. The image shows how important the facial expression is in the Laocoon Group.

The struggle; vain, against the coiling strain
And gripe, and deepening of the dragon's grasp,
The old man's clinch; the long envenomed chain
Rivets the living links,, -- the enormous asp
Enforces pang on pang, and stifles gasp on gasp.
Byron Childe Harold


A Vatican Stamp