Part 1 of Apotheosis of Homer
One must copy nature always, and learn how to see her rightly. It is for this that one should study the antique and the great masters, not in order to imitate them, but, I repeat, to learn to see. Do you think I send you to the Louvre to find there what people call "le beau idéal," something which is outside nature?
It was stupidity like this which in bad periods led to the decadence of art. I send you there to learn from the antique how to see nature, because they themselves are nature: therefore one must live among them, and absorb them. It is the same in the painting of the great ages. Do you think, when I tell you to copy, that I want to make copyists of you? No, I want you to take the sap from the plant. Ingres.
Apotheosis (αποθέωση): The elevation of a person to the status of a god.
The Apotheosis of Homer , 3.86 m x 5.12 m (produced for the Louvre Paris), 1827, Jean Auguste Dominique Ingres (29 August 1780 Montauban - 14 January 1867 Paris), French Painter. A work probably inspired by Raphael's The School of Athens. In 1806 Ingres was in Rome where he saw Raphael's Frescoes of the School of Athens and The Parnassus.
Homer is the central person, with a godlike status he is made immortal (apotheosis) surrounded by the important persons of European culture. Here we have the great men of ancient and modern times in the realms of literature and the arts. Apelles holds the hand of Raphael, Dante is close to Virgil, Plato next to Socrates. Also supporters of the Greek culture are seen such as Peisistratos and also Alexander the Great who admired the work of Homer. Whereas Raphael used mainly portraits of his friends or other personalities of his time Ingres tries to be as realistic as possible using information from sculptures of the persons included in the Apotheosis of Homer. Scholars call this work an academic piece of art, nevertheless Ingress influenced the work amongst other of Edgar Degas, Pierre Auguste Renoir, Henri Matisse and also Pablo Picasso. We can consider this work also as “a visualization of knowledge”.
A study by Ingres of Michelangelo, Louvre Paris, Photo credits AKG London. (Image provided by Jahelle)
12) Michelagniolo di Ludovico di Buonarroto Simon, better known as Michelangelo, 6.3.1475 - 18.2.1564. Sculptor, Painter, Architect, Vatican
18) Fenelon, 1651 1715, French Author, Bishop
20) Nicolas Boileau-Despréaux, 1636 1711, French Author ( Detail )